Spending the Weekend at the Movies - Part 3

Third Film: Lego Batman

To begin with, Lego Batman is nothing like the Lego Movie, with the exception of the occasional building of transportation and the general brick build look of the animation. The first five minutes and the end credits are the best parts of the entire 1hr and 46 minutes of the film. The rest is a slow slog through a legoman’s loss of importance. The film is very heavy in the morals department with very little character development, especially for Batman at whom the morals are aimed at.

The film did have a few moments in which the filmmakers reference every other Batman movie and television show created prior to Lego’s attempt. These were cute and definitely inspired a chuckle or two. It was not enough to distract from the fact that Batman was a complete tool throughout. Even at the conclusion, when you’d have expected some character growth you’re left with the sense that Batman is putting on an act to avoid the deal he made earlier.

This could be an ok kids movie if you’re ok with your child watching a film about a character with an ego to rival Trump’s. Batman even sounds like Trump, except that he can frame complete and coherent sentences (Points to the writers!). For me, this was a complete bomb and a definite wait until it hits Netflix before watching. There is no foul language to worried about for your children, but again, I’d classify this as an NFK (Not For Kids) purely because of Batman’s arrogance and attitude throughout.

Spending the Weekend at the Movies - Part 2

Second Film: The Great Wall

The Great Wall has been under fire because Matt Damon is the lead in this Asian story. This is a fair issue being addressed, however, without Damon being attached to the film I doubt it would have garnered the funding necessary to be made. Having said that, the film is a lot of fun. There is the expected clash between east and west with a larger story about the fate of the world. My husband described it as a combination of Beowulf and most zombie stories.

Matt Damon plays William, a mercenary seeking the mythical Chinese black powder along with his friend, Tovar (Pablo Pascal). They are attacked on their journey by something they can’t describe and run into the Great Wall where they meet Commander Lin Mae (Tian Jong). You might expect a romantic triangle to arise, but Tovar is preoccupied with escaping and William is fascinated with what and how the Chinese are fighting. We were entranced by the female only Crane unit of flying women who use a variation of the bungee cord to fly over the wall.

Tovar

The costuming is wonderful and clearly differentiates between units and Identifies the westerners. The Chinese army uses brilliant color to identify each fighting unit. The capes appear to be a bit over dramatic, but for the flying Cranes, it actually serves a purpose like the tail on a kite. During the monsters’ first attack William and his friend break loose with the help of a third westerner only to save the life of a young foot soldier, identified by his black uniform, left to guard them.

I especially enjoyed the way the stories of the characters intertwined and added more depth to what could have been a quick action flick about monsters in which the western hero wins the day. It is more complex than that because of the complex friendship between two people who, on the surface, are more different than they are similar. There was also a greater emphasis on the sacrifices made by the Chinese soldiers and their commanders than on William’s actions.

Flying Crane

It seems unlikely that some of the themes or story elements could have played out without the presence of the westerners. There are moments in this film that would be spectacular in IMAX or 3D, especially the first time you see the Cranes fly into battle. You will feel every moment that you’re in an exotic place with the wall, costumes, and subtitles, because not all of the Chinese characters speak English. We get to enjoy their snarkiness because those that can translate don’t translate everything accurately. Recommended for anyone who loves monster movies or action adventure stories. Not recommended for children who may develop nightmares about the monsters or the inevitable deaths of the soldiers defending the wall and the rest of the world.

Spending the Weekend at the Movies

Last weekend my husband and I visited 3 theaters and watched four movies for our Valentine's Date. It was a great idea that I must attribute to my husband after we opted not to do anything on the day or go in for the usual Valentine's Day festivities. I did send him a video card and posted it to his Facebook account so that his friends and our family could enjoy it too.

Of the films we watched one is a candidate for Best Film at the Oscars, another was a dud, one released last week and the other didn't appear to do very well at the box office. We had a good time eating too much popcorn and drinking too much cherry coke.

First film: Hidden Figures

Hidden Figures is a truly spectacular look at history that hasn’t been shared with a mass audience before. I sincerely hope the work these ladies did inspires the next generation of space explorers. The filmmakers told the stories of three friends, all working moms, who were brilliant in their respective fields. They addressed the fight for civil rights through the women’s relationships with the respective men in their personal lives and through television footage. Mary says it best when she tells her husband that there are many paths to the same goals and not all have to be violent. They did a great deal for black women and did even more for all women and should be recognized as the heroes that they are.

From the very beginning of the film we are taken back to the 1960’s. The writers took the edge off with Mary Jackson’s commentary about three black women chasing a white police officer. As the story continued, I wondered if it was as hard for the white actors in the film to say ‘colored’ and the other racist comments as it was for the black actors to hear them. There is a moment when Dorothy and Vivian, the white supervisor, meet in the bathroom. Vivian says that she has nothing against Dorothy’s people to which Dorothy responds, “I’m sure you believe that.” This was particularly poignant for me because so many white people also believe that they aren’t racist and have nothing against minorities even today despite statistical evidence to the contrary.

Hidden Figures is very much about the black women who gave much of their lives in the pursuit of reaching the stars, but it is also about the larger story of women being accepted in STEM fields because they have brilliant minds too. Notice how the ‘computers’ are all women with degrees who have been relegated to being glorified secretaries for their male counterparts. Katherine Johnson pushes her direct supervisor, Paul Stanford to even get her name on the reports that included her work as a major component. Mary Jackson’s path was a little different in that her supervisor, the Polish engineer Karl Zielinski, encourages her to apply to the NASA engineering program by reminding her that he escaped the Nazis and is now working on a spacecraft. From the beginning of the film when Dorothy Vaughn informs the cop that ‘there are quite a few women working at NASA,’ the audience is reminded again and again that the film is about this larger story.

My favorite character was Mrs. Dorothy Vaughn, played by the indomitable Octavia Spencer. Despite not being recognized for her supervisory work, Dorothy makes every effort to encourage her friends to chase their opportunities. She always has an eye to the future and fights for herself and her ‘girls,’ the women who make up the West Computer Group. She saw the threat and opportunity presented by the new machine, the IBM, and takes the initiative to read up on coding and the IBM manuals when no one else is watching. Her forethought saved the jobs of all of her ‘girls’ and made her an incredibly valuable asset for NASA for the remainder of her career.

No matter who you are, you need to see this film. It is a wonderful opportunity to show your daughters and nieces that they too can be mathematicians, engineers, and computer coders. These ladies deserved to be honored for their contributions to space explorations, their various fields, and most especially for furthering civil rights in their quiet way. Recommended for children old enough to sit quietly and ready to welcome some rediscovered national heroes.

Talking about 'Sing'

Just got back from our favorite theater after watching 'Sing!' This was a really fun movie, perfect for children of all ages and anyone who was a fan of American Idol or X Factor. Many music genres were on display with the exceptions of Country and Bluegrass. The theme of the film is facing your fears and doing what you love for yourself instead of for reward.

Please stay for the film credits because you will treated to a modern take on the Busby Berkeley musical circular dance number. It is so enjoyable from start to finish that you will be disappointed that it is over. They set it up beautifully for sequel, which I hope they do.

My husband and I did watch the film in 3D and it was worth the additional cost. If you're looking for a fun, upbeat, family friendly flick this is the one for you. Have fun!

Understanding How Film Impacts the Real World:

Using The Birth of a Nation as an Example

This aired in CA @11p last night so I recorded it. Very glad I did so. Film students are aware of Griffith's additions to film language, but I don't think as many are fully aware of what he did to elevate film to consideration as an art form or his fight in Boston for protection of the first amendment for 'Birth of a Nation.' He did much for film but his crowning achievement did far more harm to o...ur nation.

Unfortunately, many film history classes can't spend anywhere near enough time on the social and political impact of this film on our culture, the rebirth of the KKK, or even its overt racism. This is incredibly difficult for any person of color in those classes because they are told not to see that aspect and to focus only on the film language. I believe it is easier for white people to view the film with the understanding that it was created in a different time, that is part of our privilege.

'Birth of a Movement' takes us through those missed discussions. They set up a protagonist in the newspaper man, William Trotter, with the antagonist, D.W. Griffith and his film 'Birth of a Nation.' Trotter laid ground work that Civil Rights Movement would use fifty years later. The message I heard loudest is that the men in this story were children of the reconstruction with very different views of that period of our history.

I think if we look at our government right now, you will see that most of our leaders are children of the Civil Rights Movement. Some are truly afraid of equality just as their predecessors were afraid of civil rights. Trump will be judged by his racist and misogynistic views just as Wilson was for bring segregation to the federal government.

I really think that avoiding the social, political, and economic ramifications of 'Birth of a Nation' is a disservice to all film students. It doesn't address the very real effects of how film impacts our world. We have the opportunity to use this 1 hour discussion to begin a new conversation in film schools and amongst ourselves. As filmmakers we have incredible power to change perceptions.

http://www.pbs.org/independentlens/films/birth-of-a-movement/

Review of Arrival 'Arrival' has certainly earned every accolade and you should NOT miss this one if you can manage it. The sound design alone will suck you into the fabric and won't let you go until the credits roll. As my husband says, you will be completely absorbed. The film is seamlessly woven together from two storylines, one linear and the other non-linear centering on the main character, linguistics expert ...Louise. The experience is similar to listening to a symphony expertly conducted in the most perfect acoustical space. The editing sweeps you into Louise's mind and especially into her emotional state at every turn. Throughout the film perfect moments of silence create an intimacy with the uncertainty and fear that surrounds the investigation into the shells. Louise's linear story provides focus, a strange sense of calm in the center of a storm that takes over everything else. Tight, intimate shots of Louise's hands allows you to feel her fear, uncertainty, and stress. The photography will capture your imagination without allowing your feet to leave the ground. Your first view of the Montana shell will impress you with the beauty of the landscape. The DP used a subdued color pallet for Louise and the scientists but brings in the brightness of white for the aliens, but softened like cotton. It is a subtle cue for what the audience will learn later about our visitors. This is probably the best first contact story that I've seen since 'Contact' or 'Close Encounters.' When the credits rolled my husband described a sense of profound connection. I felt like I was finally able to breathe again, as though I was coming back to the surface after being deep underwater. This film is an amazing experience and one you should not miss. I don't recommend 'Arrival' for children under the age of 13 because they will be bored and will distract the rest of the audience. There is nothing inappropriate other than a couple of pieces of dialogue if your children watch the news. Sci-fi fans will see a film that doesn't make the government or other scientist out to be crazy or warmongers. The filmmakers were able to present a very real idea of how visitors to our world might be greeted, investigated, and feared in the present day.

Update: February 15, 2017

Arrival has been nominated for several Oscars including Best Cinematography. Bradford Young brought his deep understanding of exposing dark skin tones to the shadowy world of Arrival.

"I think what we discover in our work—and from being exposed to African filmmakers, to third-world filmmakers—is our hue is a reflection of every color of the rainbow." - Bradford Young

Variety interviewed him about his unique style, the challenges for black cinematographers, and the importance of his Oscar nomination.

Read on: http://variety.com/2017/film/awards/bradford-young-arrival-oscar-han-solo-1201988626/

Why I Love the Red Turtle

(La Tortue Rouge)

'The Red Turtle' is a beautiful and very emotional film. The score was lovely and the theme pulls you in on a deeper level than you have probably experienced before. The composer speaks for every character and even the little sand crabs have their moments throughout the story. The human characters do use their voices, but there is no dialogue. I promise you won't miss it because it is completely u...nnecessary. This is a score I'd like to add to my collection.

Visually, it is like a gifted artist painting watercolors before your eyes. The colors dance across the screen swirling around and inviting you into the canvas. It is soft and elegant even during the storms on the island. All of the animals are quite detailed, but you will notice that the faces of the human characters are more of a blank slate. It allows you to become the characters and empathize with them in their love, loss, joy, and fear.

The story is a classic tale of a shipwrecked man trying to escape his fate. He gradually accepts his life on the island and has a family. In the final scene the audience is left with the idea that perhaps his wife and son were figments of his imagination to cope with being alone one the island. He truly embraces his new life and becomes enraptured by nature herself.

The animators did a very nice job of showing the passage of time, allowing the characters to age gracefully. You feel the ebb and flow of life throughout the film. It's slow, allowing the man to become frustrated with his lack of progress in escaping the island and then picks up the tempo as their son grows up. As the couple moves into their elder years the tempo gradually dies only to pick up again as the rhythm of life moves on.

Try not to miss this one on the big screen. It is perfect for the family, I have no age recommendations this time, or date night. As the credits begin to roll you'll remember to breathe, but take a moment to appreciate the beauty of a story with no words.

Some quick facts about 'The Red Turtle:' there is no dialogue, it is the first Ghibli film that was not made in Japan, and it has been nominated for the Best Feature Animation Oscar.